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Cake day: June 16th, 2023

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  • I have never understood the grease argument. People seem to hold it up as some sort of ideal for creativity and playing outside the written rules, to the point that it has basically become a sort of shibboleth to sort who is a fun person and who isn’t (like in this blog post), but most people I’ve seen know about the combo because they heard about it somewhere, not because they came up with this awesome original idea by themselves.

    And, while the grease spell doesn’t say it is flammable, it also makes no sense from a real-world application. Cooking grease at room temperature does not burn. the whole thing is more like the example of the flanking rule that is mentioned in the post. Everyone knows about the “setting fire to grease” thing, so obviously it’s an actual rule.

    And as for it’s use as a shibboleth, I must admit that it works in my case. I am indeed, a no fun person. I like having rules to look up and will not allow much “creative” use of spells outside of what is written in them at my table. But, in my defence, I’d say that it is infact the other side, this strawman that I am now constructing, that is in the wrong. I feel like people at this point are basically treating spell slots as “plot tokens”. “Hey, can I do this thing that normally I wouldn’t be able to do? I’m willing to give up a 3rd level plot token spell slot for it.” And there’s nothing wrong with plot tokens, plenty of games use them to great effect. But spell slots aren’t designed to be used like this in 5e, and it shows. It is (I think) one of the reasons why people think martials suck: They don’t have any plot tokens to bargain with. If everyone had them it would be fine (Oh, hello, DnD 4e), but they don’t.

    No, I think spells should do what they say they do. Playing “outside your sheet” is fine and good, but you have to keep in mind what you are allowing when you do (and allowing creative ideas to be a great boon, but you can’t repeat the same creative idea more than one is a good compromise).








  • Surprisingly, I think I disagree with most of what you’ve said in this comment.

    While I understand that it can be discouraging for a creator to have the species and cultures that they have worked on not really be explored by the majority of players I don’t think it is an issue most of the time.

    It also seems a bit odd to me to lump elf, half-elf, and presumably also dwarves in with humans, given that they usually make for the hard core of fantasy races. If those aren’t considered distinct then I’d wager that maybe the issue isn’t that they are less distinct and cool compared to other races but something else. Either that races that are seen as “distinct” actually lean into some sort of “gimmick”, or that people simply pick what they think looks good, and they aren’t into how Gith look, for example.

    While I know there is a large group of people playing Human mainly, I feel like that reflects the fantasy that is being set up by most games that I have engaged with. Humans are the “standard” and other races are exotic, deeply different, and usually rare. At least that’s what seems to me like the most common fantasy setting type (and also my preference). That’s why I don’t mind when the majority plays humans, as that does reflect the story of the game. It seems more odd to me when the party strolls into town and they have a tiefling, drow, aasimar, and lizardfolk. When all those races are stated to be unique, strange, and alien to most people and those players don’t really get a chance to shine with their “weirdness” in the party because there is no baseline that they can compare themselves against. After all: when everyone is super, nobody is.

    The only time I can recall this creating a ludo-narrative dissonance is in Guild Wars 2, where humanity is supposed to be a dying (alien) race with few members left. By all accounts the people of the land should be a majority of charr (cat-people, basically). But of course, the “human female meta” as it is called (meaning people playing conventionally attractive human, female characters with “the sexy outfit”) is greater, and as it turns out most people are playing humans. The result being that what you see when walking around is mostly humans when it “should” be mostly charr. A lot of people just play characters they think “look good”.

    As for why people are playing humans. I think there is a reason that you haven’t touched on. I, for example, will play a human for almost every one of my characters unless I have a good reason not to. This is because I base my characters around a theme or a story and I want the focus on the character to be on that theme or story, and not on their species.

    I also don’t think designers make humans boring or bad on purpose to discourage players from playing them. They could just not include humans if that is what they wanted (Plenty of good examples of this. Mousegard and Humblewood for RPGs. Deep Rock Galactic, Dwarf Fortress and a ton others for video games). I think most often it comes down to people not knowing what to do with humans. Most fantasy races tend to be “human but x”, so when you are making a human you don’t really have anything “but”, meaning that you usually end up is a situation of “humans, well, we all know what a human is, don’t we? I can’t see anything special about humans that one of these other races don’t embody in a greater capacity.”. (Side note: I like how GW2 handled this. The 5 races have fairly good and distinct themes. Charr are militaristic, Asura are obsessed with knowledge, Sylvari are young and still figuring out the world, Norn are shapeshifting and spiritualistic, and Humans are devoted to their gods who brought them to this world.)


  • I don’t think giving them a feature that says “Multiattack: Master Thief makes 3 attacks. Alternatively it can replace any number of those attacks with Cunning Action or Special Action.” comes too long or cumbersome. Assuming I understood you right and that is what you are looking to do.

    Legendary Actions, as has already been suggested is also a good call.

    Or you can just give them 3 actions, that works. Because you are the DM you just have to notice and make a call when an unintended interaction comes up and avoid abusing it. Only thing I can think of is abilities where “as an action” is supposed to translate to “as their turn”. Things like breaking out of an Entangle spell. You should probably avoid just doing that multiple times to not make the person who cast the spell feel like it was useless due to this unconventional situation.





  • Sounds similar to the system they use in WFRP 4e. Also a system that is very elegant and far better than the system used in DnD 5e. Similarly to PF2e (as far as I gather with a brief search) items are assigned a value between 1-3 and players usually have a carry value of around 6 to begin. Any item that is worn gets -1 and items in backpacks/containers do not count towards the limit (but they have weight/bulk/encumbrance points themselves).





  • Fellow Norwegian here. Seems like you’ve encountered a classic “sær skrivingsfeil”. (For non-norwegians: The type of mistake described in the main post is called “særskrivingfeil”, “sær skrivingsfeil” means “odd/weird writing error” and is itself a mistake of the “særskrivingsfeil” type.)

    Personally I would probably answer the sj/kj issue, but I saw that you’ve mentioned it in a comment, and after thinking a little about it there is a bigger issue I have: People don’t love the langauge. What I mean is that Norwegian is a beautiful language with many amazing words, but because people don’t love it there is a perception that the langauge is “limited” or “boring”. I’d love to read books in Norwegian, but the fact is that most authours/translators I’ve come across aren’t very good at Norwegian, and it makes the book worse to read. Part of this issue is with machine translation. I was talking to a family member about this, and he mentioned that he had noticed a trend in the Donald Duck comics (which are/were hugely popular in Norway) from when he was young, and the lead translator of the comics was a teacher of Norwegian who loved the language, and the newer ones, after machine translation has taken over, and the difference was night and day. However, just to not be entierly negative I’ll give you an example of someone who did this well: the people who translated the Spook’s series (Den Siste Lærling) did a stellar job in my estimation with giving the names of things good Norwegian names and generally translating it well.

    English, on the other hand, I feel like has not suffered as much from this, because they have benefited greatly from prominent writers who loved the language. I’m talking particularly within the sphere of fantasy, as that is where I am most familiar, where people like Tolkien and Gary Gygax are both extremely prominent writers who loved English and would use all those words that would (I think) have fallen out of the language if they hadn’t put them in the public eye. I also think that while others who aren’t as invested in the language would go on and write later, they would borrow some of the style from these earlier writers, because that’s what the genre “sounds like”. I think Norway needs a movement like this. People who dig up obscure Norwegian words that they can use as lables for things, and by doing that thrusts those words into the minds of readers, who will look up the definitions of those words and have richer lexicons as a result.


  • Another Norwegian here. The sidene between the two is that words have stress, and compound words thus (generally) only has one (primary) stress. So “prinsesse pult” has stress on both words while “prinsessepult” only had one stress. (Also, in my dialect “pult” meaning desk is pronounced /pult/ while “pult” meaning fuck is pronounced /pu:T/ (capital T standing in for retrofleks t in this case) so pronounced that way “prinsessepult” becomes “fucked like a princess”)


  • If you look at the Ammunition Property it says “If you use a weapon that has the ammunition property to make a melee attack, you treat the weapon as an improvised weapon”, which I read as meaning your weapon is an Improvised Weapon rather than a Ranged Weapon. Although I do concede that the improvised weapons rule says that if you are using a Ranged Weapon to make a Melee Attack it will deal 1d4 damage, which I assume means that you can’t use the rule that says that you can treat it like another similar weapon, which I think is odd, but ok.

    (Also, if you want to be very nitpicky about it, the ammunition property says you can’t make ranged attacks without loaded ammunition, but any type of attack will spend your ammunition. However, I don’t think that’s a fair reading, and I think the ammunition property simply does not apply, because you are using it as an Improvised Weapon and therefore none of the Properties apply.)

    I suppose if you really wanted to get into the details, the rules in the Ammunition section would not apply to weapons that are Ranged Weapons, but do not have the Ammunition Property, like the Dart or Net. But I feel like it would be most reasonable to rule that these are also considered Improvised Weapons and not Ranged Weapons that deal 1d4 damage if used to make a Melee Attack. (Although the Net can not deal damage as per it’s Special Property, so that doesn’t really apply to it, so you would be left with the Dart, which doesn’t have the Heavy Property, and thus isn’t really relevant to the greater discussion here.)


  • This doesn’t really work as far as I can tell, RAW or RAI. While it is the case that in theory a Melee Attack with a Heavy Ranged Weapon would satisfy both criteria, there is no weapon that can normally perform such an attack, as far as I’m aware. Using a Heavy Crossbow or a Longbow to make a Melee Attack would be attacking with an Improvised Melee Weapon, which is both not a Ranged Weapon and does not have the Heavy property, so neither Feat would be useful.

    If we are being generous we could say that attacking with a Heavy Crossbow would be like a Club and a Longbow would be like a Staff, and per the Improvised Weapons rules we could use those weapon stats for our Improvised Weapon, however, note that neither of these have the Heavy property, so you would be unable to use either Feat in this case as well. (The Heavy property, particularly on Ranged Weapons, seems to be not about the weight of the weapon (an intrinsic property of the thing), but about the strength required to attack with such a weapon in it’s intended manner. In this way it would make sense that neither Feat would work.)