Didn’t realize wenis was from the 90’s.

Paris was frequently condescending to Harry early on, though it did taper once he was more assertive.

And Bashir:

Edit: …Captain Nog and Jake

The Ragin’ Cajun himself!

Edit: To clarify, this is taken from Old School (2003), where Dean Pritchard (Jeremy Piven from PCU (1994) makes use of Carville for the debate portion of the challenge to the fledgling fraternity.

From Memory Alpha:

According to the novel trilogy Vulcan’s Soul, the Remans were descended from the telepathic Vulcans who refused to give up their abilities during the exodus to Romulus, and were enslaved by the majority non-telepaths who became the Romulans.

It’s like they didn’t know what to do with his character. He got some mild focus with his barge-faring family, but it didn’t help endear us to his perspective. There was a nod in SNW “Those Old Scientists” which I liked. Just left him floundering most of the time.

This, but more abusive and they never really get closer:

Riker finds the subnet:

Good luck explaining the difference between the Romulans and Remans.

I enjoy the shit out of ENT. The Xindi arc is a bit weak and heavy-handed, but overall…

Also liked that one of the writers just decided that Bashir’s conjecture should be correct.

Keep yourself safe, be well, and be you as much as possible.

The way he says “…your feeble mortal minds cannot comprehend.” harkens back the cadence of the Haunted Mansion narrator.

Getting flashes of The Island, I mean, Parts: The Clonus Horror.

Glad they settled that suit against Michael Bay.

Oh, and it falls under the “Sean Bean dies” rule!

If ever a film needed an MST3K/Rifftrax version, it’s Equilibrium.

Edit: I remembered the style is called “Gunkata”

I get that both Tim Burton and Joel Schumacher each pulled from '66 Batman, but Nolan did his own thing. For better and worse, I admire the work. Just too bad about Ledger and the promise of his return as the Joker.

Snyder-verse was DOA, despite Cavill’s passion and appreciation for the source material and Richard Donner films.

Not mine, but apt: