I usually turn on a light motion blur in games that I f don’t get above 40-ish fps, because the motion blur masks the stuttering. I prefer no motion blur and stuttering to too much or bad motion blur though. I couldn’t play Horizon Zero Dawn on the PS4 Pro, because the motion blur was really intense, even in performance mode and there was no way to turn it off.

I really like it when games give you an intensity slider instead of just on or off. Spiderman on the PS4, for example runs at 30fps. It looks like a stuttery mess with motion blur off. With motion blur at the highest setting (which is the default I think), you cannot see a thing when moving. But putting it at ~20% or so masks the stuttering very well without being a complete eyesore.

I also like object based motion blur a lot, like the Jedi games have. Instead of blurring the camera movement, it only blurs the movement of objects that are actually moving (quickly), which has a nice effect, in my opinion.

In general though, I prefer having better performance and a clear image, but motion blur is a useable band-aid solution if performance is a limiting factor.

I have similar opinions to the likes of DLSS, FSR & Co. I vastly prefer running games at native resolution but when my GPU can’t keep up, FSR it is. I‘m not yet convinced of frame generation as an alternative to motion blur to get 30fps feeling a little closer to 60 but I haven’t gotten around to testing that yet either. Im not categorically against it in Games, unlike in movies. Motion smoothing in TVs is a pest.

Yea, that’s pretty much the reason I always go for mint, when I need something that just works

„We can’t swear on the internet or show boobies on TV! Why won’t anyone think of the children!?! Also, here’s a hello kitty themed automatic rifle for your 7 year old.“

It does not. A regular percolator does, as it circulates the coffee back into the boiling water, unlike a moka pot, where the finished coffee does not sit at the bottom close to the heat, but in the top compartment. You should take it off the stove as soon as it’s done to avoid getting the finished coffee back to a boil or overextracting the coffee but if you do it right, they make really good coffee. There are even some versions that feature a valve, so the coffee is cooked at a higher pressure, getting it a little closer to espresso and producing a nice –albeit short lived – crema.

Nah, the macOS equivalent would be going to starbucks

Ah. That makes it a little more complicated, of course. Otherwise, I‘d have suggested getting an old second hand 5.1 audio receiver with S/PDIF input and using your TVs digital output (or an HDMI audio extractor if it doesn’t have one) to get the signal to your speakers. Receivers like that are usually very cheap. I’ve seen them go for less than 10€ in perfectly working condition.

But good that there’s a solution to get DV working. The Linux community never seizes to amaze me. Good luck implementing it.

Do you drive your surround speakers directly via analog outputs on your PC?

I can’t say with complete confidence, but since HDR support in linux is fairly new and DolbyVision is a proprietary standard, you’re probably out of luck when playing the files directly.

However, since you have an apple tv, you can set up a media server (be it jellyfin, plex, emby, DLNA or even a simple SMB fileserver) and stream to the apple tv via a media player app that supports DV. The easiest setup would probably be plex.

I think the argument still is, that those aren’t „real“ Nokias. At the very least they’re not the same Nokia that built the 3310, as that Nokia isn’t in the consumer electronics market anymore.

I mean, that at least didn’t look like a student film production. But the contact lens work in that show is so godawful, not just Geralt.

Here in Germany, fluoride is a typical additive to table salt (together with iodine), so I suppose the way you get it doesn’t really matter. Maybe you can even get salt with fluoride as well.

They’re not the only ones anymore though. Apple, Amazon, Deezer, Qobuz and Napster also have lossless audio support.

From what I’ve read (although my numbers are a few years old), Qobuz and Napster pay artists even more than Tidal. The former even significantly so (about 3x, from what I’ve read), although it is slightly more expensive. Both also support lossless audio.

And, for completion: Among the big-tech streaming services, the one that seems to pay the best is Apple Music, with a little more than half of what Tidal pays. The worst ones are amazon and Spotify which both pay about a third of Tidal.

Back is already bullshit. We have a few trashcan mac pros at work and usually they’re just turned so all the cables stick out towards the user because then you can easily reach the power button. Which makes it look worse than just having a power button in an accessible place aka the front or the top in the first place.

On the one hand, I agree. Apple has positioned their power buttons with the assumption that the devices wouldn’t be turned off very often for quite a while now. It was on the backside of the previous mac mini design and also on the backside of the 2013 trashcan mac pro, for example.

That still doesn’t make it less annoying though. We use a lot of macs for work, including aforementioned mac minis and mac pros and we do turn them off regularly because there’s no need for them to use power 24/7. Having to turn them around to find the power button is just stupid. That’s form over function in its finest. But if you’re the type of person who never turns off their computer, obviously it doesn’t really matter.

That’s not to say, that the new mac minis aren’t remarkable machines. The redesign was necessary and is very good in general. It’s a tiny powerhouse. They could’ve just chosen less of afterthought of a power button location.

Yea. The charging port isn’t as huge a deal as people make it out to be. In the time it takes to get a cup of coffee, the mouse will charge enough to last the rest of the day. It’s just a really unergonomic mouse. Get a Logitech MX Master instead. Your wrist will thank you.

Buffalo buffalo, Buffalo buffalo buffalo, buffalo Buffalo buffalo.

Well, my internet connection would have to be a lot faster, and they would all need devices that support UHD h.265 and HDR10 playback. But if you have have gigabit upload and they all have shields or similar with just as fast connections, you’re good to go without transcoding (if no one wants to access it through mobile)

I regularly watch on my server when I’m not home and a few friends of mine also have access to it, so I need the content to be available in SDR and lower bit rates. When I stream from home, I‘d like to have access to the full quality and HDR though, so either I need multiple versions of each film or hardware encoding/tonemapping and a used gtx 1050ti was a lot cheaper than the required storage would be to have 4 or 5 versions of every film.

But yes, if you’re only streaming within the same network, hardware transcoding isn’t necessary in the slightest. But then a SMB fileshare might also suffice…

As I need hardware transcoding, that makes emby immediately non viable for me. I also usually watch via various apps and on tv, which, if you don’t have emby premiere are also not free to use.