Have you ever considered that the Prime Directive is not only not ethical, but also illogical, and perhaps morally indefensible?
I thought the answer would have been Looney Tunes style cartoon physics. Like they can win, but so long as it’s a gag / funny. Maybe they tried doing that and it didn’t quite land.
Yeah, I think there was a degree of that in the final solution, with La’An running across the walls and making a perfect three-point landing and the like, but they didn’t quite commit to it.
Uhhhh you might want to skip tonight’s episode.
None of the live-action series have done one, but the images have been floating around since…July 2025, I think.
I’m definitely enjoying the season more than you, but there’s a high degree of difficulty here nonetheless.
More than most episodes, I don’t think there’s much space between “home run” and “faceplant.”
I wouldn’t put money on it either way, but I would think CBS Studios would have more say in that than Paramount+ as the “network” - the two are very intertwined obviously, but I suspect Paramount+ just wants the shows, without being too concerned about who makes them.
Chris Parnell, formerly with Apple TV and current EVP for Paramount+ Originals.
This isn’t even Star Trek’s first trip to the well.
star trek is serious business
This is another episode where the pair of Doctor and Rose feel to have jumped around a bit. After last episode’s downer ending they’re all upbeat again. This has happened a few times this series.
Yeah, I know I’ve been banging on about this all season, but it really seems the like episodic sequence is all out of whack.
This is a pretty average episode, and I don’t have a good sense for what people think of it in general, but I’ve always been fond of it for one reason: the domestic approach.
Eddie Connolly is an absolute cartoon character, but he’s a type of stock character that I like a lot. A petty tyrant in his own home, clearly a product of older times that are coming to an end, likely having experienced a fair amount of wartime trauma, who ultimately gets his comeuppance. Jamie Foreman’s performance is a little over-the-top, but in a way, that makes it work even better for me. He’s got so much impotent bluster, it really paints a picture. To a lesser extent, this expands out to the overall setting - this is a society in transition, and there’s a palpable tug-of-war between the old and the new that I find compelling.
The core plot with the Wire? Adequate. It does what it needs to do, and not much more. Maureen Lipman plays the character well, and the notion that the Wire was “executed” by their own people is interesting, but there’s not a lot to chew on.
Mark Gatiss seems to have a really good grasp of who the Tenth Doctor and Rose are - their dialogue, both together and separately, has a lot of energy. A fun random bit that I’m not sure I noticed before: when the Doctor is cornered by the police and does the bit about wrapping your hand around your elbow, the goon in the background tries it while Detective Inspector Bishop is trying to act intimidating.
Using an historic television signal to transmit to the masses is a good idea. Maybe the Doctor should keep that one in mind.
Often themselves. The focus of the article is overwhelmingly on children who were injured in without the involvement of another vehicle.
why the D7 never detected the shuttle
I think this one can be explained by the radiation - Scotty and Ortegas had to jury-rig something to track the D7, and they had the advantage of knowing it was there.
As for the stuff with Uhura and Kor…upon reflection, I think this might come up in the season finale, which seems to feature
Some kind of time travel to proper TOS times.
AFAIK, Rogers still has the brand. It just won’t be on CBC.
I don’t really have a read on Spock, but Pike certainly seemed to sense she was holding something back. I don’t know if he actually knows what, though.
One thing I forgot to mention - since the preview photos and logline were released on Monday, I’d been wondering if we might see some ridgeless Klingons, but no luck. Maybe it’s for the best, but maybe it’s a missed opportunity?
Well, I thought that was quite enjoyable.
The black-and-white gimmick was well-used, and I felt it in service of the story, and not just a gimmick.
The story itself was an enjoyable noir caper, and it was fun to see Una getting her hands dirty, Uhura learning about spycraft, and M’Benga being entirely too comfortable with the whole thing. The guest cast was pretty great, too - I last saw Andy McQueen as Jesus Christ himself in “Mrs. Davis”, a show that no one seems to have watched, and it was cool to see him in a very different role here.
Demore Barnes was very compelling as Kor…but the gravitas he brought to it was so reminiscent of Michael Ansara to me, I almost wonder if he should have played Kang instead.
Alexander/Neelix/Jack Crusher teamup when
Who was asking for more Alexander stories?
If there’s one thing I’m pretty confident Terry Matalas wants to do, it’s bang his old action figures together.
This is true. I do think they did a fair amount with it in that respect, though, and he’s now pretty firmly on the trajectory he needs to be on to line up with his TOS characterization. And I’ll give full credit to Ethan Peck for selling his barely-restrained panic attacks (full-blown meltdowns by Vulcan standards, I’m sure).