
It is a little disappointing to me that they’ll be leaving MaxFun. I’ll have to decide if I want to continue to support the network or greatest gen going forward.
I hope the new non-MaxFun ads won’t be too bad …

It is a little disappointing to me that they’ll be leaving MaxFun. I’ll have to decide if I want to continue to support the network or greatest gen going forward.
I hope the new non-MaxFun ads won’t be too bad …


Hell yeah! Now i want to see Jay-Den with an eyepatch like Catalina Creel from Cuna de lobos


Hey Karim! Thank you for your work on SFA, really enjoying the show!
Star Trek has done a bunch of genre-bending episodes (mostly on the holodeck), like noir-type crime stories, medieval costume dramas, or western adventures. If you could chose: What genre/setting would you like to put Jay-Den into?


I think the key message is about letting other people enjoy things even if you personally don’t. I like Star Trek but if there are no good new stories to be told, I’m ok with there not being any more new Star Trek. We’ll always have the old stuff.
Communities that are just build around vocally disliking something (based on taste) are usually not the greatest places.

How great is Tawny Newsome? Hope they’ll put her in (charge of) more new-trek stuff.
Regarding the episode: I didn’t know about the Sisko plot before, but after they called SAM an emissary and that chewy jumja stick popped into frame, I was convinced we’d get a DS9 episode.


I’m currently rewatching DS9 so I enjoyed this episode thoroughly. The show’s really growing on me.
I’d love to know if it actually resonates with audiences in the age group our cadets are in.
And Tawny Newsome as Professor Illa (last name redacted) was a treat!


I like seeing the personal growth of these characters kicking in early. And that we don’t only focus on Caleb. When’s my Jay-den episode coming?
And while I didn’t think I‘d like the post-burn setting, it gives our characters a reason to reiterate what Star Fleet and the Federation stand for. In the classic shows, there wasn’t really a reason so argue what the federation is supposed to be (because it was objectively extremely successful the way it was). I enjoy seeing our characters rebuilding this utopia.


There is an actual RFC for “IP over Avian Carriers with Quality of Service” that was released on April fools day 1999.
There are some fantastic diagrams in there: 


I can recommend the Janeway autobiography by Una McCormack! She also wrote the Spock autobiography.

Listening to this episode, I remembered how I just never could warm up to Malcom Reed. I couldn’t stand him across the whole 4 seasons.
It’s not Keating’s fault, the performance is fine. It’s just the character that bums me out.

w/r/t this episode‘s drunk Shimoda: I couldn’t believe that there actually is a mouse pointer in the LCARS displays but here it is:

(yes, I took a picture of the screen because Netflix blocks screenshots)


The healing powers of pan flute music are unmatched.


Was that Patton Oswalt as a Vulcan? Maybe he’s Sybok! And Rhys Darby looks like he could be playing Trelane.
For convenience, here’s the link to the xkcd
I was honestly surprised by how much of a reaction I had to this news! Now that a couple of days have passed I think I figured out what inked me so much about this change.
I actually am a big fan of MaxFun. The Adventure Zone got me into D&D and I dig the whole worker-owned network where artists own their shows thing. I also liked that the network was a place where shows like TGG could find their audience!
I don’t listen to any other MaxFun shows (who has the time!) so I’ll probably stop sending money to a project I liked, because I have reached my limit of subscriptions and patrons and I want to continue to listen to and support that silly stat trek podcast.
Anyway, I wonder how they’re actually handle the technical side of things. A different podcast I support recently moved back to Patreon after using Supercast for a while. I hope they’ll find some setup that works for them.