Welcome to this ninth/IX/9th writing club update!
Happy mid-March to you all, my well lettered friends. I hope you’ve been graced with some nice weather as we in the northern hemisphere enter into the warmer time of the year. Today is delightfully dreary and overcast where I’m at, which I’m hoping to channel into some indoor creativity.
Okay! Here are the Writers:
Please see last month’s post if you need to refresh your memory on what your goals were.
Just an FYI that while “membership” in the writing club is fluid and open, so too are the names above simply my best guess, without judgement, at who is participating on any particular month. So if you don’t see your name up there and you’d like me to add it, just shoot me a DM or even better just share what you’re working on and you’ll be added right back to the roster the following month. :)
This is a huge challenge, and one of the reasons I prefer the more far flung (as in from the messy contemporary) settings. But I imagine it’s also very rewarding to do all that research and then package it up to into a story that you share with others.
This is subjective ofc, but if you’re writing for the joy of it, I feel you’ve “arrived” at the destination that these productivity games (tracking word counts, streaks, etc) are trying to stimulate. When did you notice that word count and other extrinsics were no longer required to motivate you?
I’m curious about your process at deciding to write a trilogy of novels. Did you start at a really high level outline and decide early on that 3 novels made sense, or maybe because you got the the end of one story and realised there was still more to tell?
For drafting I need the word count to motivate me sometimes, weeks on weeks off, it’s always been like that. For editing I don’t. I think it’s a brain chemistry thing. I use the word count motivation when I have issues making progress without it, otherwise I ignore it.
The research can be daunting for progressive topics since people can be slightly unforgiving. It feels like sometimes you get more anger for a not-fully-perfect representation than not attempting one at all. Test readers help but you can’t always find the “perfect” test reader to find all parts somebody might find problematic.
I usually write series of a 2-3 books worth of length. I have found that a single book usually barely allows me to set up the setting and characters and a minor villain, and usually the 2nd one is where things really get started. The middle book(s) are the most fun to write for me, everything is established and I can toy around with things for fun chaos, while I don’t need to think super hard about a perfectly conclusive satisfying ending yet.