Shaw@startrek.website to Risa@startrek.websiteEnglish · 1 year agoGiven the circumstances, Janeway also would have sold you for a keg of coffeestartrek.websiteimagemessage-square23fedilinkarrow-up1244arrow-down16
arrow-up1238arrow-down1imageGiven the circumstances, Janeway also would have sold you for a keg of coffeestartrek.websiteShaw@startrek.website to Risa@startrek.websiteEnglish · 1 year agomessage-square23fedilink
minus-squarepimento64@sopuli.xyzlinkfedilinkEnglisharrow-up18·1 year agoI can’t get over the European discotheque sets. I would have really preferred to have this show with nice, clean, even TV lighting like TNG got.
minus-squareconditional_soup@lemm.eelinkfedilinkEnglisharrow-up15·1 year agoHave to agree, Picard’s ship lighting is completely ridiculous. Living and working on ships with that kind of lighting would drive me batty.
minus-squareMorsil@lemmy.eco.brlinkfedilinkEnglisharrow-up3·1 year agoAlso the shaky camera, couldn’t get past the second episode.
minus-squarethepreciousboar@lemm.eelinkfedilinkEnglisharrow-up2·1 year agoThat’s the common trope for 2010’s+ scifi. For some reason in the future everything is dramatic and has more RGB than a gaming pc
minus-squareJWBananas@startrek.websitelinkfedilinkEnglisharrow-up1·1 year agoIt needed to contrast sharply with the Enterprise, because hero ship.
I can’t get over the European discotheque sets. I would have really preferred to have this show with nice, clean, even TV lighting like TNG got.
Have to agree, Picard’s ship lighting is completely ridiculous. Living and working on ships with that kind of lighting would drive me batty.
Also the shaky camera, couldn’t get past the second episode.
That’s the common trope for 2010’s+ scifi. For some reason in the future everything is dramatic and has more RGB than a gaming pc
It needed to contrast sharply with the Enterprise, because hero ship.